• POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
  • POWERHOUSE PARRAMATTA OPENING 7 NOVEMBER
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Forget Me Not Bowl
Cordon Salon

Forget Me Not Bowl

$875.00

Regular price

Cordon Salon by Ella Saddington's Forget Me Not Bowl was born from two unsuspecting objects held in the Powerhouse Collection, a pressed paper patty pan and a flannel flower doily. The stainless steel bowl is assembled from overlapping petal-shaped pieces: laser-cut, pressed and riveted using cold-forming techniques inspired by the patty pan. Suited to all table, bench and cabinet tops, Forget Me Not’s mirror polish finely multiplies whatever sits inside it–eggs, keys and small precious things. Produced exclusively for Powerhouse in a limited edition of 100, each bowl is numbered by hand.

Saddington's background in forging armour led to her choosing an object name that gestures towards the shape of the flower as well as a German folk tale of a knight who - weighed down by his armour - falls into a stream while gathering flowers for his lover.

“50 years from now I hope they look very worn, like a great piece of armour.” – Ella Saddington

Click & collect available
This item is final sale
care instructions
Wash with a mild dish soap
made in
Made in Melbourne, Australia
material
Stainless steel mirror polish
size
130mm x 400mm x 400mm
Cordon Salon

Cordon Salon

Ella Saddington is an experimental designer, researcher and artist based in Naarm/Melbourne, working under Cordon Salon. Her practice reactivates pre-industrial craft techniques within contemporary design, combining historical research with material experimentation across sculpture, furniture and lighting. A fellowship researching historical armour making across European collections shaped her fascination with how objects wear and age, and she hopes her own work develops that same history over time, worn and marked with use. Saddington received a state creative development fund in 2023, and her work has shown across Australia and appears in private collections internationally.

Item added to your cart

View cart Checkout Continue shopping